Salvador Dali used to take micro naps. He would sleep in a chair with his hand holding a key above a plate. Right as he drifted off to sleep he would drop the key and the cacophony of key and plate colliding would wake him up. He claimed that these millisecond naps engendered the creative process.
Steve Jobs was a vegan most of his life and even flirted with Fruititarianism (just eating fruit) for weeks at a time.
Warren Buffett eats the same lunch every day: a steak and a cherry coke.
Ben Franklin, D.H. Lawrence, John Cheever, Victor Hugo, and Franz Kafka are all said to have incorporated nudity into their writing routines.
Van Gogh mailed his ear to his girlfriend. (It’s a fine line between eccentric and insane.)
Jack Kornfield said that as people become more spiritually mature they become more eccentric. I get a kick out of eccentric people. They make the world a lot less boring.
The other day I was reading a Marc Andreessen post on luck. Andreessen was reviewing Dr. James Austin’s 1978 (updated in 2003) book Chase, Chance and Creativity which presents a theory that there are four kinds of luck:
Pure chance - this is blind luck and we have no control or influence over it.
Chance by action - the idea here is that action increases your odds of bumping into a novel solution. Think of the scientist running around the lab, knocking one beaker of chemicals into another and creating the next wonder drug. Or my friend who once bought a lottery ticket in order to “give God a chance.”
Chance by preparation - See Louis Pasteur’s famous line about chance favoring the prepared mind. If you develop expertise in a given area you are more likely to stumble upon novel solutions because you have so much context and knowledge.
And finally, something akin to Chance by personality - This is the kind of luck that comes to you and only you because of who you are.
To quote Austin:
and again:Chance IV can be drawn together and fused only by one quixotic rider cantering in on his own homemade hobby horse to intercept the problem at an odd angle.
To which Andreessen asks:Chance IV favors those with distinctive, if not eccentric hobbies, personal lifestyles, and motor behaviors.
Since childhood my goal has been to lead an interesting life. But I’ve struggled with what that means. A side of me is very ambitious: I want to make a tangible positive impact on the world. And another side of me is so enamored of the world that I just want to revel in its beauty through travel, art and relationships.How uniquely are we developing a personal point of view -- a personal approach -- a personal set of "eccentric hobbies, personal lifestyles, and motor behaviors" that will uniquely prepare us to create? This, in a nutshell, is why I believe that most creative people are better off with more life experience and journeys afield into seemingly unrelated areas, as opposed to more formal domain-specific education -- at least if they want to create.